This week came as full of surprises for both industry people and cine-goers. Firstly, Love Aaj Kal though still over-riding has almost 65 percent reduction in its business in the second week. Teree Sang faced the footfall despite good word-of-mouth publicity. One thing however, that was not astonishing was the poor fate of RGV’s Agyaat. more . . .
Friday, August 14, 2009
Kaminey: Movie Review
Yes, Kaminey is a smart and balsy film that brings Hollywood to Bollywood, reminiscent of the adventurism of Quentin arantino's
action thrillers which catapult the viewer into the dark, violent world of crime and criminals, leaving you no time to blink or breathe easy.
More importantly, Kaminey is the first film which also credits its viewers with some intelligence. It demands your unbridled attention more . . .
More importantly, Kaminey is the first film which also credits its viewers with some intelligence. It demands your unbridled attention more . . .
Thursday, August 13, 2009
Mega opening for ‘Raj The Showman’

The first Kannada film to have the 4 K technology, the first Kannada film to release in 12 countries at a time when it is released in Karnataka, Chennai, Hyderabad and Mumbai, the first Kannada film to come out with 150 prints is Rs.8 crore venture ‘RAJ THE SHOWMAN’ – starring Power star Puneeth Rajakumar and Nisha Kothari in the lead roles. This is directed by top director Prem in Kannada who gave super hits like ‘Kariya, Excuse Me and Jogi’ plus a debacle of his debut acting film ‘Preethi Eke Bhoomi Melidhe’.
The combination of Puneeth Rajakumar and Prem itself raised lot of expectations and as the days near for the release it has reached the peak. Prem has fallen back as his earlier film ‘Preethi Eke Bhoomi Melidhe’ has crashed but Puneeth Rajakumar is unbeatable in the box office. The series of nine films of Puneeth Rajakumar are super hits and his last two films ‘Milana and Vamshi’ have given terrific response in the box office. This is the debut for Nisha Kothari the Bollywood actress who is very much in news always. more . . .
The combination of Puneeth Rajakumar and Prem itself raised lot of expectations and as the days near for the release it has reached the peak. Prem has fallen back as his earlier film ‘Preethi Eke Bhoomi Melidhe’ has crashed but Puneeth Rajakumar is unbeatable in the box office. The series of nine films of Puneeth Rajakumar are super hits and his last two films ‘Milana and Vamshi’ have given terrific response in the box office. This is the debut for Nisha Kothari the Bollywood actress who is very much in news always. more . . .
Priyanka's fainting spells aren't for publicity
Priyanka Chopra has worked really hard on her 12 characters in Ashutosh Gowarikar's film What's Your Rashee? And the result is showing in her frequent fainting spells on the sets.Piggy Chops, however, says though she did go mad shooting for the many characters, that isn't the only reason for her weakness. more . . .
First Look: Raj, the Showman!
The combination of 'Power Star' Puneeth Rajakumar and 'Hat trick' director Prem is described as deadly, and that is the major highlight of the Kannada film Raj, the Showman currently being released in Bangalore.
Made on a budget of around Rs 7 to 8 crore, Raj, the Showman also stars Nisha Kothari as Puneet Raj Kuamr's heroine.Raj, the Showman will be a 'mass' film made on the lines of Rajnikanth's more . . .
Why Apple Is More Valuable Than Google
Now that Apple (AAPL) has once again passed Google (GOOG) in market value, can the consumer-electronics maker maintain its lead?
While Apple's capitalization has risen above that of Google for short bursts in the past, it has remained higher since July 22. As of Aug. 11, Apple was worth $145.87 billion, compared with Google's $143.40 billion. This could be a momentary shift in more . . . .
While Apple's capitalization has risen above that of Google for short bursts in the past, it has remained higher since July 22. As of Aug. 11, Apple was worth $145.87 billion, compared with Google's $143.40 billion. This could be a momentary shift in more . . . .
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